Mithim
€16.99
Mithim by Carina McNally is a haunting historical novel set in 17th-century Ireland. When Cromwellian forces destroy her home, healer Mithim flees to Wexford forest, surviving through ancient herbal wisdom. Guided by the goddessAn Cailleach, she searches for her brother Eoin—but in a world where empires burn everything visible, only sacred knowledge endures.
Description
<
The Irish woman history forgot
Eight years after Cromwell's army burned Killenea Castle to the ground, Mithim McMurrough – daughter of a Gaelic lord, healer and last keeper of her family's secrets – is living alone and in hiding in the depths of a Wexford forest. The soldiers are moving closer. And the past is closing in faster still.
Steeped in Irish mythology, the Celtic tree calendar and the forgotten wisdom of the Gaelic healing women, Mithim is a stunning debut – fierce, lyrical, and utterly original. Guided by the goddess An Cailleach and the ancient spirits of the land, it gives voice to a woman whose history was forgotten: a Gaelic noblewoman who refused to disappear quietly into the wreckage of conquest, who carried her people's knowledge into the dark and who will risk everything to find out who survived.
Meet the bould Mithim McMurrough – the Irish woman history forgot.
For readers of Sebastian Barry · Edna O'Brien · Hilary Mantel
Their piercing screams woke her. The sound was unmistakeable; the violent shrieking of her father's precious hawks. In her half-asleep state, her mind's eye saw them struggling ferociously, talons pulling desperately at hemp tethers holding them firm to their birch-stick berths.
A great fire burned, the timber settlement around her stronghold stone tower home in flames. The Sasanach had broken the gate to Killenea Castle itself, bringing fire with them as they gleefully looted the loops which held weapons along each wall.
White fingers grasped to the solid stone sill under her window frame, she dared to watch barefoot children writhe under swords. The helmets of the Cromwellian soldiers glowed in the light of flames; it was a gleam of death for those in combat and a flicker of uncertainty for those like her in the wings, the living.
Grabbing a dagger, her mother's ancient hair comb and fleeing down the winding stone staircase one last time, a brief glance outside the now holed wall of the castle showed her younger brother Eoin surprising two soldiers. As both retreated under a burning rafter, she watched him slice their heads open one by one, the flaming timbers engulfing their shielded skirts.
But a boy, she felt terrified for his safety, but she relished the sight of them ablaze.
Before scurrying into the tunnel behind the other women and children, she looked up to the friendless sky and saw that the flames had finally severed their hemp tethers and the hawks were now soaring gracefully to a new freedom; a freedom they had never known before.
To recollect my thoughts, I usually lose myself in memories. For example, on the day my mother Niamh McMurrough died in childbirth, my clearest memory is that of my father, in a rare moment of kindness, removing a fluffy white dandelion seed, the gathán gabhainn, gently from my untamed childhood eyebrow.
I came into this world in the year 1630, under the influence of the new moon. They named me Mithim after my mother's favourite month; she had been born on Lá Fhéile Eoin, Midsummer's Day in the month of June.
I have a fair skin, apparently inherited from my Viking ancestors, which takes on a sheen of pearly opacity in the winter months. The black dark pools I claim for eyes I owe to my Norman lineage and the mixed blood of my ancient ancestors: the Celtic Milesians, the Firbolgs, the Tuatha Dé Danann, people of the Goddess Danu, they dominate the power through my veins.
Home is a cabin made of daub wattle and stone, much of which I myself have constructed. It lies nestled under the protection of rowan and hazel, both trees offering inspiration, wisdom and most importantly guard, of which I am much in need, alone as I am in the deepest corner of the Wexford forest.
The Wars of Rebellion had brought the natives to foot and their morale has suffered. The villagers terrify me with tales of the fearful austere life lived outside of my forest home; festivities and sports frowned upon, whippings and death commonplace. Of an English army moving deeper into the forest.
In return for my cures, people bring me a multitude of offerings; vegetables, woven cloth, wool, pheasant, hare, smoked river fish. This is why the invader leaves me alone. For now.
Each year, since apart, I split an apple in half for my missing lover Neachtain. Making needles from the wood of the bramble, I put one through the eye of the second and then together between the split fruit, clamping it firmly back together with a tight knot.
I hang the apple back on the tree.
'M'fhÃorghrá Mo chéadsearc, tabhair arais dom.'
'My true love, my first true love, return to me.'
It is said that he was killed in the Wars of Rebellion. In spite of this, I hope that this would one day bring my dark-haired lover back to me, if only in the form of a blackbird.
'Look after him, won't you, he is fifteen, a child, too young for war. Please, do not go!' I crawled on my hands and knees begging Neachtain to look after Eoin as they readied the horses for the way to Drogheda.
'What choices do we have, Mithim? Those diabhail in Westminster have appointed that monster Cromwell to lead this latest invasion of Ireland. Even children must play their part against what seems this never-ending English onslaught.'
Only nineteen, and already tired of war.
MITHIM
✦Coming soon · Mercier Press
Publisher/Manufacturer:
Mercier Press
82c Ballyhooly Road, St Luke's, Corkinfo@mercierpress.ie






